You’re now past the halfway point in this Course, congratulations! So far we’ve covered various movements and developments in Indian art. In this Lesson, we’ve also gone beyond traditional mediums of art to look at the rise of photography, multimedia and performance art, as well as explored the emergence of artists collectives. Take this quiz to recollect key aspects of the Course!
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Question 1 of 11
1. Question
What are some of the distinct representations in colonial photographs from the Indian subcontinent? You may select more than one answer.
B. Romanticised images of landscapes and architectural ruins
C. Exoticised study of ‘natives’ distinguished by caste and racial ‘types’
D. All of the above
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Question 2 of 11
2. Question
2. How do modern and contemporary Indian artists go beyond artistic mediums like traditional painting and sculpture in their practice?
A. By incorporating sound and multimedia
B. By experimenting with performance art
C. By creating interactive works that involve audiences
D. All of the above
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Question 3 of 11
3. Question
3. Drag and drop the name of the artist to their corresponding artwork.
Sonia Khurana
Nikhil Chopra
Pushpamala N
Desire Machine Collective
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Question 4 of 11
4. Question
4. Which of the following statements are true about performance art? You may choose more than one answer.
A. It rejects disciplinary conventions of fixed narratives, rehearsals and techniques
B. It uses the artist’s body as a medium and places abstract concepts at its core
C. It often combines live performances, photography, videography, light and sound.
D. All of the above
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Question 5 of 11
5. Question
5. Considered a pioneer of performance art in India, Sonia Khurana’s ‘Bharatmata’ offers a satirical, cynical and feminist take on colonial and nationalist image practices.
True
False
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Question 6 of 11
6. Question
6. Which among the following collectives commented on mass hysteria, crime and urban development through their work ‘5 Pieces of Evidence’ based on Delhi’s ‘Monkey Man’?
A. Raqs Media Collective
B. Desire Machine Collective
C. The Otolith Group
D. Rainbow Art Group
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Question 7 of 11
7. Question
7. Which performance artist enacts the prominent characters of Yog Raj Chitrakar and Sir Raja to stage an interplay of history and memory, performance and painting?
A. Shuddhabrata Sengupta
B. Jeebesh Bagchi
C. Nikhil Chopra
D. None of the above
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Question 8 of 11
8. Question
8. How does Sonia Khurana’s ‘Bird’ offer an important critique of social inequalities and standards?
A. Through a public performance with pigeons and an isolated female body that raises issues of women’s rights within the public sphere
B. By using the naked female body to question the feminine as fragile, and the problematic beauty standards in society
C. Through a photo-performance on ideas of post-coloniality, belonging and anti-racism
D. Through a synchronised performance video engaging with the history of the feminist movement in the country
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Question 9 of 11
9. Question
Which of the following statements best describes this photograph by Pushpamala N? You may select more than one answer.
A. The artist is depicted as a woman from the Toda tribe of South India, presented in the style of colonial ethnographic photographs of the 19th century.
B. The use of 19th century props in the photograph celebrates the scientific pursuit that propelled ethnographic research.
C. A chequered screen backdrop to the figure, similar to the one used by the British to measure bodies of ‘natives’, critiques the colonial documentation practices.
D. By depicting the backdrop being held up by people, the artist explores the idea that British stereotypes of native women were fictitious and performative.
E. A depiction of a woman from the Toda tribe is a tribute to the ethnographic work of British anthropologists, who were responsible for preserving the culture of the community.
F. All of the above
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Question 10 of 11
10. Question
10. How can developments in technology influence artistic practices? You may select more than one answer.
A. By encouraging new forms of thinking
B. By encouraging people to move beyond conventional artistic mediums
C. By promoting collaboration among artists
D. All of the above
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Question 11 of 11
11. Question
Which among the following represents the ways in which artists in India have worked with the camera?
A. Documenting landscapes, communities and contemporary social realities
B. Inserting themselves into historical imagery through re-enactments and photo-performances
C. Through installations that include video recordings as performance
D. All of the above
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